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    • HOME
    • SPRING FED ARTISTS
      • Austin Derryberry & Trenton "Tater" Caruthers
      • Belen Escobedo
      • Bill Steber Archive
      • Billy Womack
      • Bruce Nemerov
      • Ed & Ella Haley
      • Eddie Jimenez and Ruben Jimenez
      • Fairfield Four
      • Felipe Pérez
      • Fiddling Tom Freeman
      • Gospel in Middle Tennessee - Various Artists
      • Hamper McBee
      • Howdy Forrester
      • Howdy Forrester & John Hartford
      • Jim Wood Rural Felicity: Fiddle Tunes from 18th and 19th Century North America
      • Joe Keene
      • John Work III
      • Lorenzo Martinez and Ramon “Rabbit” Sanchez
      • Mississippi John Hurt
      • Risey Scruggs
      • Roy Book Binder and Fats Kaplin
      • Roy Harper
      • Sam and Kirk McGee
      • Uncle Dave Macon
      • Uncle Shuffelo
      • Walter Greer
    • DAVIS UNLIMITED
      • Bill Lowery
      • England Brothers
      • Flattops and Fiddles
      • Frazier Moss
      • Gillian Brothers
      • Indian Creek Delta Boys
      • J.T. Perkins
      • Ken Smelser
      • The Morgans
      • North Folk Rounders
      • Omer Forster
      • Perry County Music Makers
      • Robert and Claudene Nobley
      • Sharon Winters-Bounds
      • Vernon Solomon
      • Wally Bryson
      • Wally Bryson & the Blaylock Brothers
      • W.L. Gregory & Clyde Davenport
    • ABOUT US

    Billy Womack Down at the Barber Shop / In Retrospect SFR 102
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    Billy Womack, a lifelong Cannon County resident, was born in Sycamore Creek, twelve miles to the north of Woodbury, on October 22, 1922. His parents, Joe Bob Womack, a former teacher, and Elizabeth Higgins Womack owned a grocery in downtown Woodbury, in a stone building that still stands on East Main Street today. Billy taught himself the art of barbering and opened the barbershop beside his parents' store. Billy could have easily become a professional musician but chose to remain close to his home and his family. He wanted to be a fiddling barber, not a barbering fiddler. Billy shunned what he called the professional lifestyle because he was a homebody and didn't want to get mixed up in the fast paced living that fueled many touring musicians. He was extremely proud that the pickers in his barbershop never touched a drop of alcohol or took any drugs before they walked through the doors. Anyway playing professionally couldn't make you a lot of money, it could only give you a name.

    Liner Notes 7.61 MB

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