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    • HOME
    • SPRING FED ARTISTS
      • Austin Derryberry & Trenton "Tater" Caruthers
      • Belen Escobedo
      • Bill Steber Archive
      • Billy Womack
      • Bruce Nemerov
      • Ed & Ella Haley
      • Eddie Jimenez and Ruben Jimenez
      • Fairfield Four
      • Felipe Pérez
      • Fiddling Tom Freeman
      • Gospel in Middle Tennessee - Various Artists
      • Hamper McBee
      • Howdy Forrester
      • Howdy Forrester & John Hartford
      • Jim Wood Rural Felicity: Fiddle Tunes from 18th and 19th Century North America
      • Joe Keene
      • John Work III
      • Lorenzo Martinez and Ramon “Rabbit” Sanchez
      • Mississippi John Hurt
      • Risey Scruggs
      • Roy Book Binder and Fats Kaplin
      • Roy Harper
      • Sam and Kirk McGee
      • Uncle Dave Macon
      • Uncle Shuffelo
      • Walter Greer
    • DAVIS UNLIMITED
      • Bill Lowery
      • England Brothers
      • Flattops and Fiddles
      • Frazier Moss
      • Gillian Brothers
      • Indian Creek Delta Boys
      • J.T. Perkins
      • Ken Smelser
      • The Morgans
      • North Folk Rounders
      • Omer Forster
      • Perry County Music Makers
      • Robert and Claudene Nobley
      • Sharon Winters-Bounds
      • Vernon Solomon
      • Wally Bryson
      • Wally Bryson & the Blaylock Brothers
      • W.L. Gregory & Clyde Davenport
    • ABOUT US

    Howard “Howdy” Forrester 
    The MGM Recordings 
    SFR-105 BUY NOW

    In the early days of LPs when there were only a relative handful of Bluegrass LPs and not too many more in the country & western field, this album appeared on the market, and quickly became a classic and essential fiddle album. It didn’t stay in the catalog very long, and since that time the original MGM album has become a highly sought, high-dollar collector’s item. A quick look at the tunes reminds us just how influential this album was among a whole generation of fiddlers: along with Howdy’s versions of old standards like LEATHER BREECHES, SALLY GOODIN’, GRAY EAGLE and DOG IN THE RYE STRAW, you will find his signature tunes—RUTLAND’S REEL, SAY OLD MAN, HIGH LEVEL HORNPIPE, BRILLIANCY, CRUEL WILLIE, and CLARINET POLKA. Backing Howdy on this record were Pete Kirby (Brother Oswald) and Ray Edenton on guitars and Junior Huskey on bass. Forrester is deservedly considered one of the very best of the country fiddlers—he played a considerable amount of Bluegrass, but was best known as Roy Acuff’s fiddler for over 20 years. Acuff, a fiddler himself and a real fan of great fiddling, was responsible for getting Howdy the opportunity to cut this 1958 recording for MGM (which was closely associated with the giant Acuff-Rose enterprise). It should be pointed out that Acuff had previously recorded an 8-tune, ten inch LP for Columbia in the late 1940s that featured another fiddle great, Tommy Magness! This album is nicely packaged with over a dozen photos.

    Produced by Evan Hatch & Bruce Nemerov
    Remastered by Jack Pearson/Bailey Sound
    Graphic design by Sharisse Steber

    Liner Notes 7.55 MB

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